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The Cover Design Everything starts with a
cover. Bruce picked a photo and I had to make it work. There
was no concept except to make it dramatic. Here is the evolution:

I started to use the one on the left because it
showed the entire guitar and his body. When I decided to use the
right hand one it was because his facial expression really
demonstrated what he brings to music... intensity and
aggressiveness. You can't be "Still Electric" and smiling... you've
got to growl like your guitar. Of course, now you have to eliminate
the background, a process that took me nine hours
of work after watching six hours of movies just to learn how to do
the process.
I really like the funky "Still
Electric" type on the version 2 but Bruce isn't a funky kind of a
guy. We went back to the simpler style but then I learned how to do
graduated textures and the final version really hangs together. The
color of the Bruce Edelson type was pulled from the guitar... a
touch that I'm really happy I learned.

After finding a cover shot, we had to pick a unifying
theme for the rest of the design. Since Bruce is foremost a guitarist
(he
used five different ones for the project) I decided that his
guitars should be the key feature. When I placed the guitars
behind the graphics, it seemed too plain so I found the border in a
clipart file and rotated it for each version just to lend some
variation:
Finally, we needed a strong image for
the CD itself. Disc Makers gives us three colors (white is a color)
so Gardner Hart (who merges edginess with an intense hatred of Comic
Sans type [sorry, G-man... I just love it to death]) went into creative overdrive. Here is the back panel with
the disk:

Finally, because I ran out of guitars,
I found a beautiful shot of the
Pro Tools screen with some of the tracks John recorded. The wave
forms and colors really looked cool. It makes a great graphic:

Next, we added the type and photos to
finish the project.
Part of the process for me was simply learning how Adobe In Design
CS2 works. I had never used it before and really found it
wonderfully easy (after bugging Gardner for tips) and versatile for
this project. Here are the final pages. The plain guitar shot will
be where the plastic CD holder is placed:


While one never really knows if Bruce likes anything
(exuberance and excitement are my job),
I am so jazzed about this design that I can hardly stand it. Yes, I
know that Gardner would have done a more modern design but my
approach was to keep the classic "Bruce" and add some diddley
diddley's to the story. Now that you know the rest of the story, get
ready to buy "Still Electric" and see it for yourself! |